As usual there has been a lot going on over the past few
weeks - not only on the work front, but behind the scenes. If I was going to
draw things together in a theme I would have to say it’s all about new
So, let’s start with work. I really want to share some
insight into one of my current projects, as it really highlights the important
role of an editor in the book making process. I also think there is a bit of
lesson here for people just starting out, or new to this field.
When I work with a Publishing company on a book project, the
Editor is the person that I have my day to day contact with. They are in charge
of co-ordinating all of the people who work on the book, along with shaping the
look and feel of the final product.
Currently, I am working through some cover artwork ROUGH concepts
for a brand new book . Usually this is pretty straight forward. ( I am lucky that my editors have great
imaginations to visualise the final product as I realise how ROUGH my roughs
usually are! I have seen some stunning roughs that could be framed as works of
art, but not mine! Mine are worthy of their ‘ROUGH’ title!)
Anyway, I personally like to send through about 3 different
concepts in a rough, sketchy format just to get the ball rolling.
on the magic number 3 is that I usually like to do the following:
that is exactly what was asked for.
X1 that has a slight variation – usually with
more of my own ideas thrown in there to tweak things a bit.
that might be more based on my own interpretation of the brief.
This doesn’t always involve x3 totally different roughs.
Sometimes it’s just variations on the one idea, but I usually find that this
approach leads directly into a clear brief for the final go ahead to colour up
the artwork into final art, often using bits and pieces of ideas from all three
roughs, and sometimes with a few extra new things added. I usually then go
straight into the full colour, final artwork.
However, sometimes the path is not so straight forward. In this case, my first roughs were a bit too ‘young
and cute’ for the target audience. Here’s an example:
I was then sent lots of great visual reference to help guide
me in a slightly new direction. This feedback was the outcome of some
brainstorming sessions at the Publishing house. This is a great help to me as I
sometimes feel that I am working alone and in isolation by working from home.
Such clear and direct feedback helps me to understand HOW to
create artwork that will be more appealing to the target audience. I have been
working in the ‘younger girls’ market for a while now, so it’s great to get a
gentle reminder to push things into an area more suited to an older audience. I am excited to be challenged in this way. Basic
feedback included the need for more ‘attitude’, and a slight ‘sassy’ feel to the
characters. I was excited with this feedback as I thought I had been a bit
cautious with my initial ideas and was not sure how far to push things.
Here are some of my new ‘sassy’ girls and I was pretty happy
with these actually:
These latest sketches were very well received but they have also
sparked a brand new way of thinking for this cover artwork - so it’s back to the drawing board with this
It’s at this stage
that I know many artists might get frustrated or take things personally.
I think that sometimes as a creative person, it’s easy to
let your ego get in the way of things and to wonder if there’s something wrong
with your artwork. But you know what. This happens every now and then with a
project. Sometimes what you think you want in a design changes when you see the
idea actually drawn up. This is part of the importance of the “roughs” phase of
the design process.
I guess my background
in Product Development has helped me to understand that at the end of the day,
we are all working towards getting a great product out into the market place
that is really going to SELL! And this takes a team effort. I always see it as
a great learning opportunity.
Once a book is out in the market place it’s easy to just
give credit to the author or illustrator if you don’t really understand all of
the work that an editor does to get a book into shape. The Publishing team is
full of wonderfully experienced and talented people and I always learn so much
from them with each new project.
I am lucky that I have been working with this team for a few
years now and I know that they have great respect for me and for my work. This
in turn helps me to trust their judgement and to see this as the great learning
experience that it really is. I am so lucky to be working with such great
people and I wanted to give some credit to the Editor’s role in the process.
So for now, it’s back to the drawing board! I can’t share
too much more about this project at this stage, as we are on a tight deadline
and the next batch of illustrations are going to have to be good enough to go
to colour art as soon as we can, so that’s it for now.
Stay tuned for more NEW DIRECTIONS on the home front soon
(no we are not moving house again, and NO I am NOT pregnant!!)
I have also decided
to delay my post about the processes we went through with the Ella Diaries cover artwork, as I hope to
use this one as my introduction to a new ‘guest blogging’ gig coming up shortly.
So thank you to those of you who waded through such a long
post! I hope it helped someone out there! ….and now I have a toddler party to
plan! Yep. My little baby is turning TWO this week! Busy, busy….x
I have just received my advance copy of the latest Ella and Olivia book. Yvette has done another fabulous job with this story, and I loved creating the illustrations for the TV scenes in this one - particularly the audience scene! Well worth a look!
I am also working on another Brand New project today, but as usual I can't say too much about this yet. It's for the older girls market. We are currently working through some ideas for the cover artwork. Here's a reject from some of the early roughs....
I have also drawn up my post about the processes we went through to get the Ella Diaries cover artwork finalised, so I will collate the images and try to share that with you later this week. In the meantime, Maureen at Little Learners Love Literacy is keeping me busy with lots of activity sheets and sound cards for the next wave of resources in her wonderful Literacy program.